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Low Skies headline Jacob Ross and Mike Bulington spin. Reilly has credited producer Sue Garner for the disc’s spartan approach Garner, also a terrific singer, guitarist, and bassist, will accompany her here. When she does lean into a song, her voice cuts through like a scythe, but even on a more aggressive number like “Tropic of Cancer” she judiciously uses her firepower, which makes her most emphatic gestures that much more effective. Mostly the mildly twangy arrangements percolate gently as Reilly whisper-sings through the bittersweet melodies. But the players don’t draw attention to themselves, showing an admirable restraint around Reilly’s breathy, delicate voice and letting the songs reveal their charms softly. MEGAN REILLY For her second album, the new Let Your Ghost Go (Carrot Top), Memphis-raised singer Megan Reilly is backed again by a band filled with heavyweights like drummer Steve Goulding (Mekons), bassist Tony Maimone (Pere Ubu), and guitarist Tim Foljahn (Two Dollar Guitar).
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7 PM, Holiday Inn Select, 1801 Naper, Naperville, 21, $20, $40 for a three-day pass, half-price for teens, free for kids. See Fairs & Festivals for a complete schedule. Nugent plays on the opening night of the Indoor Bluegrass Music Festival along with Gerald Evans & Paradise, Special Consensus, the Lovell Sisters, and the Chicago Bluegrass Band. Though treacly sentimentality hampers a few ballads, by and large the album’s a winner.
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Producer Carl Jackson, a Nashville vet, gives the songs a soft-focus sheen, but his efforts to make the tunes radio-ready don’t undercut the fiery instrumental interplay of Nugent’s crack band. A Big Four-Lane (Rounder), singer Alecia Nugent follows the model for middle-of-the-road bluegrass success that Alison Krauss established–her country-driven repertoire deftly mixes hot picking and sweet harmony vocals. –Peter MargasakĪLECIA NUGENT On her second album, the new A Little Girl. Eulorhythmics also perform Thursday at the Morseland see separate item. Top to bottom the lineup for this big local hip-hop show is Iomos Marad, Primeridian, Eulorhythmics, Verbal Kent, Rusty Chains, and Matlock, with 5th Element and Sean Doe spinning throughout. But if you were picking an MC to copy you could do a lot worse. Working against Eulorhythmics, if only slightly, is Adad’s excessive similarity to Mos Def, both in his lyrics (largely empathetic narratives about poverty and the struggle to escape its grip on the mind) and in his musicality. The instrumental “Listen” even features a synth solo (though, given the rather annoying sound used, this isn’t entirely a plus).
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An important element in Keys’s production style is his keyboard playing, which helps create a more organic feel than you’ll find on a typical sample-based record. debut, Extended Play (due April 11 on All Natural Records), his jazz- and soul-inflected tracks provide a lush but unobtrusive setting for Adad’s rhymes. Since then he’s been active with this project, a duo with MC Adad on their U.S.
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